TO APPLY
The application deadline for the 2024 Anderson Center Residency Program is Tuesday, January 9, 2024 at Noon, 12 p.m. Central Standard Time. Applications must be submitted on or before the deadline in order to be considered in the jury review period. There is a $30 fee for applying to this residency program.

Jury review will take place in late January and February. Applicants will be notified by Feb. 2 as to the status of their application. Selected artist residents, wait-list and runners-up will be notified by March 5, 2024.
 

ABOUT THE ANDERSON CENTER AT TOWER VIEW
Anderson Center nurtures a vibrant artist community based at Tower View, an expansive Historic Site and natural area in Red Wing, Minnesota. Founded in 1995, the Anderson Center has renovated and restored Tower View's historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.

Anderson's signature Artist Residency Program, together with the Studio Artist Program, forms the core of the organization's artistic community. The Residency Program provides artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment with dedicated time and space to create, advance, or complete new work. In addition to community engagement activities through the artist residency program, the organization's additional outreach programs create connections and integrate the arts into community life through local partnerships, hosting annual arts events, and participating in other community-based initiatives.
 

ELIGIBILITY
 The Anderson Residency Program is open to early career, mid-career, and established visual artists, writers, composers, choreographers, multidisciplinary artists, musicians, performance artists, scholars, and translators from across the globe. The program is interdisciplinary and the organization welcomes applications from a wide range of creative and intellectual genres, including those that don't fit neatly into the above list.

To be considered, artists must submit an application through the Anderson Center’s online form via Submittable. Complete program details are below. Please contact the organization at 651-388-2009 or info@andersoncenter.org for any questions.


DURATION OF RESIDENCY
 For the 2024 season, the Anderson Center is offering 2- or 4-week residency sessions during the months of May, July, September, and October. Preference is generally given to 4-week residencies with the goal that either the September or October cohorts would consist entirely of artists staying for 4 weeks. That said, 2-weeks sessions are welcomed, especially in May and July. There is a 48-hour turnover between residency sessions, no matter their duration, to allow time for housekeeping. Specific start and end dates are listed in the application form. Please plan your requested residency dates carefully. Provide as much detail as possible regarding your availability, as that information is incredibly helpful in assembling cohorts and organizing the waitlist.

June 2024 residencies are reserved for Anderson's Deaf Artists Residency Program. August 2024 residencies are reserved for the organization’s Early Career Artist Residency.


2024 SCHEDULING & AVAILABILITY
 Each season the Anderson Center hosts a limited number of artists through its various exchanges, fellowships, and dedicated programs that reduce the number of spots available for artists submitting materials for this General Residency program opportunity.

New in 2024: The Anderson Center is participating in the Artist Communities Alliance's new pilot grant program for the New York City dance community in collaboration with both Howard Gilman Foundation and Mertz Gilmore Foundation. Two New York City-based dance artists—defined to include individuals, organizations, companies, or collectives—will each participate in a residency session at Anderson Center in 2024 (as well as at our consortium partners The Arts Center on Governors Island, LMCC, in NYC and the Maggie Allesee National Center for Choreography (MANCC) in Florida).

As of September 2023, it is unknown how this new program will impact the number of spots available for artists submitting materials for this General Residency program opportunity as the size of each dance artist and when their residency is taking place will be determined by mid-December at the latest. In the meantime, please provide as much detail as possible regarding your availability in your application form. Please contact the organization at 651-388-2009 or info@andersoncenter.org for any questions regarding 2024 availability and scheduling.

Availability as of September 2023 (pending scheduling the new NYC dance residencies):

• May 2024 - Three 4-week spots & one 2-week spot (or seven 2-week spots); space for 4-5 artists depending on duration.
• July 2024 - One 4-week spot & four 2-week spots (or six 2-week spots); space for 4 – 5 artists depending on duration.
• September 2024 - Three 4-week spots (or six 2-week spots); space for 3 – 6 artists depending on duration.
• October 2024 - Five 4-week spots (or ten 2-week spots); space for 5 – 8 artists depending on duration.

In general, for months that incorporate 2-week sessions, no fewer than four artists–and no more than six artists would be scheduled for 2-week residencies within that month.

Due to the competitiveness of the program, the organization's goal is to be upfront and transparent about the availability for the General Residency program in 2024 in an effort to help you make a decision about whether this year is the best time to submit an application. Again, please contact us if you have any questions or need further clarification here.


LOCATION
The Anderson Center is located on the 350-acre historic Tower View campus, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.

The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.

The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River. The town is settled on the traditional and sacred land of the Bdewakantunwan & Wahpekute bands of the Eastern Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Bdewakantunwan Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”

Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.

Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library.

Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Rise Up Red Wing, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Network, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, Evening Start Quilt Guild, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Area Girl Scouts, Red Wing Public Schools, Tower View Alternative High School, and Universal Music Center, as well as several City boards, commissions, and departments (such as the Human Rights Commission and the Arts & Culture Commission).


APPLICATION
 A completed application form includes a brief artist statement, a work plan, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.


 The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your past and current work.


The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.


The Work Plan is a one-page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.


Community Engagement Statement is a chance for you to address, in 200 words or less, any interests, goals, or connections that may help staff in developing your engagement activity with community members in Red Wing. What sort of mutually beneficial exchange would both advance your practice and be meaningful for local participants? We are not asking for any concrete plans here, just some general ideas for us to consider.


Work Samples should be of recent work and should include:

• For composers and musicians: 3 to 5 recordings
• For visual artists: At least 5 images of work (300 dpi or larger)
• For nonfiction and fiction writers: 10 pages of double-spaced prose
• For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)
• For poets: 10 pages of poetry
• For translators: 10 pages of translation and original text
• For performance artists: 3 short video excerpts of performances (no videos longer than 5 minutes)
• For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
• For Scholars: 10 pages of work, including research abstracts and relevant diagrams

If you are an interdisciplinary or multi-disciplinary artist, you may "split the difference" on the work sample guidelines above at your own discretion. For example, including 5 pages of writing and 3 images, etc. 

Likewise you may also choose to simply submit a PDF or Word Doc with hyperlinks to work samples that meet the guidelines outlined above.

Regarding work samples, please put yourself in the shoes of a jury panel member. Make it easy for them to review your best work first. Yes, give the jury various ways to go deeper or experience more if they are motivated but focus first on presenting only your strongest work samples in the most compelling way possible. Please contact staff if you have questions about work samples, but reflecting on the jury and the many applications they have to review & score can serve as a helpful guide in deciding what to include, how much to share, how long it can be, and how to present it.
 

ACCOMMODATIONS
 Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists will be provided a 15' x 26' studio and are responsible for supplying their own materials. Other workspaces on-site include a dark room and a print studio for professional printmakers (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano.

Dinners are prepared and presented by the Anderson Center chef Monday through Friday. This chef also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There are also housekeepers who clean and maintain the historic facilities.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.
 

COMMUNITY ENGAGEMENT
 The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with schools in five area communities (ranging from elementary through college), senior centers, correctional or detention facilities, community organizations serving children and families, and community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.


PROGRAM MISSION & VALUES
 "This stay is particularly suitable for artists who want to devote themselves intensively to the realization of a concept. Here you can devote yourself to artistic work undisturbed and far away from everyday worries." - Eva Möseneder, 2012 resident

The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.

The Anderson Center at Tower View Residency Program was set-up by a working poet to support other artists and continues to be led by administrative staff with hands-on experience in the creative process. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes or arrange regular structured activities. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.

Anderson Center’s goal is for connections participating artists make with one another, as well as connections made with other creatives and community members, to outlast the duration of their residency visit. The organization believes that the environment and resources of Tower View, along with an exchange of ideas across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work artists create while in residence.

Since 2014 the Anderson Center at Tower View has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artist Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.

Anderson Center’s Early Career Artist Residency Program offers month-long residency-fellowships to a cohort of early-career artists from Minnesota or one of the five boroughs of New York City. Thanks to support from the Jerome Foundation, the program offers a stipend & travel honorarium and provides early-career artists in need of focused time and dedicated space with an inspiring residency work environment that empowers them take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

In 2021, Anderson Center launched a Public Artist Residency Program, a month-long residency-fellowship for one public artist, cultural producer, or social practitioner living and working within the state of Minnesota to deepen their practice in storytelling, cultural arts organizing, and collaborative community engagement while serving as a catalyst for social action & relationship building in rural Red Wing, MN.

Anderson also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Salzburg Artist Exchange operates in cooperation with Stadt-Salzburg Artist-in-Residence Program and is open to emerging and mid-career Minnesota artists. Quzhou Artist Exchange partners with the Quzhou College of Technology and is only open to artists living in or around Red Wing. New in 2024 is an exchange program in partnership with the Iraqi-American Reconciliation Project. The Center also participates in annual scholarship programs with the MFA programs at The University of Minnesota and Pacific Lutheran University in Washington.

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.


VACCINATION POLICY
 Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed.

Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best to use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collectively make changes where appropriate and ultimately build the artist community they'd like to see.

At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2024 season, the organization requires all participating artists to provide proof of up-to-date COVID-19 vaccination prior to arrival.

Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that risk and that you are also up-to-date on your COVID vaccinations (or will be prior to arrival).


SELECTION TIMELINE
              January 9, 2024 (12:00 p.m. Noon CST) – application deadline
              February 2, 2024 – Jury has selected Round 2 applications. All artists are notified of the status of their application
              Week of Feb. 26 – Finalists' character references are contacted
              March 5, 2024 – Final notification to selected artists, wait-list and runners-up

SELECTION CRITERIA Selection criteria include (in order of importance):
                1) Artistic excellence as demonstrated by work samples, resume and artist statement
                2) Potential benefit and impact on career as demonstrated by work plan
                3) Balance of artistic disciplines, identity, geography, etc within selected cohort


EQUAL OPPORTUNITY
 The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.

 

The Anderson Center at Tower View’s Deaf Artists Residency (DAR) provides 5 Deaf artists the opportunity to come together to live, work and share ideas in ASL, while advancing their own personal artistic projects.

DAR is the only residency opportunity in the world devoted exclusively to Deaf artists. The program was created in 2014 to enact the vision of a Deaf visual artist, Cynthia Weitzel, who designed and leads the program. Weitzel maintains year-round studio space at the Anderson Center. A DAR Program Assistant, a role filled through an open application process, also supports artists during, and leading up to, their residencies.

Now in its sixth iteration, the goal of the Deaf Artists Residency Program at the Anderson Center is to create artistic and organizational networks that support the development of the Deaf Arts as a distinct cultural area within the larger context of American Culture. The program has supported twenty-seven visual artists, performing artists, writers, and scholars through five artist cohorts in 2014, 2016, 2018, 2021, and 2022. Five artists will participate in the upcoming June 2024 program.

Thanks to support from Anderson Center funders & sponsors, artists selected to participate in the cohort will receive a $1,400 stipend for the month, reimbursement of up to $600 in travel costs, art-making resources, lodging & studio space, groceries, and chef-prepared communal dinners.

TO APPLY
The application deadline for the 2024 Anderson Center Deaf Artists Residency Program is Tuesday, January 9, 2024 at noon 12:00 p.m. CST. Applications must be submitted on or before the deadline in order to be considered in the jury review period. There is no fee for applying to this residency program.

Jury review will take place in late January and the month of February. Selected artist residents, wait-list and runners-up will be notified by March 5, 2024 at the latest.
 

ELIGIBILITY
Deaf Artists Residency is designed for artists who use American Sign Language and/or Protactile as their native or adopted language. All artists and creatives in the Deaf, DeafBlind, DeafDisabled, Late Deafened, and Hard of Hearing community are encouraged to apply.

Because the program has a grant application pending with the National Endowment for the Arts, only Deaf artists based in the United States of America are eligible to participate.

To be considered, artists must submit an application through the Anderson Center’s online form via Submittable. Complete program details are below. For application questions, please contact the organization via email at info@andersoncenter.org.
 

DURATION OF RESIDENCY
  The Anderson Center’s Deaf Artists Residency Program is a 4-week residency-fellowship the month of July 2024. Selected artists must commit to arriving on June 3 and departing on July 1. Two-week residencies are not an option for the Deaf Artists Residency. This is currently a biennial program taking place in even-numbered years. June is the only month the program takes place in 2024.
 

ABOUT THE ANDERSON CENTER AT TOWER VIEW 

Anderson Center nurtures a vibrant artist community based at Tower View, an expansive Historic Site and natural area in Red Wing, Minnesota. Founded in 1995, the Anderson Center has renovated and restored Tower View's historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.   

Anderson's signature artist residency programs, together with the Studio Artist Program, forms the core of the organization's artistic community. The Residency Program provides artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment with dedicated time and space to create, advance, or complete new work. In addition to community engagement activities through the artist residency program, the organization's additional outreach programs create connections and integrate the arts into community life through local partnerships, hosting annual arts events, and participating in other community-based initiatives.

LOCATION 

The Anderson Center is located on the 350-acre historic Tower View campus, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.   The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.

The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River. The town is settled on the traditional and sacred land of the Bdewakantunwan & Wahpekute bands of the Eastern Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Bdewakantunwan Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”

Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.

Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library.

Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Rise Up Red Wing, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Network, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, Evening Start Quilt Guild, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Area Girl Scouts, Red Wing Public Schools, Tower View Alternative High School, and Universal Music Center, as well as several City boards, commissions, and departments (such as the Human Rights Commission and the Arts & Culture Commission).  
 

APPLICATION
A completed application form includes a brief artist statement, a work plan, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. 

If you are a prior resident of the Anderson Center, you must wait one season/year from the time of your residency to apply again.
 

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your past and current work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.


The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing and location of the residency, as well as the opportunity to live/work in a community of ASL signers, would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.


Work Samples should be of recent work and should include:  

• For composers and artistic directors: 3 to 5 short video excerpts (no videos longer than 5 minutes)
• For visual artists: At least 5 images of work (300 dpi or larger)
• For nonfiction and fiction writers: 10 pages of double-spaced prose
• For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)
• For poets: 10 pages of poetry or 3 short video excerpts of performances (no videos longer than 5 minutes)
• For translators: 10 pages of translation or 3 short video excerpts of translations (no videos longer than 5 minutes) and original text
• For performance artists: 3 short video excerpts of performances (no videos longer than 5 minutes)
• For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
• For Scholars: 10 pages of work, including research abstracts and relevant diagrams

If you are an interdisciplinary or multi-disciplinary artist, you may "split the difference" on the work sample guidelines above at your own discretion. For example, including 5 pages of writing and 3 images, etc. 

You may also choose to simply submit a PDF or Word Doc with hyperlinks to work samples that meet the guidelines outlined above.


ACCOMMODATIONS
DAR is an ASL-centric residency environment. ASL interpretation is provided for arrival day and other public events/activities with the hearing community. DAR coordinator Cynthia Weitzel, a Deaf visual artist that maintains a year-round studio space at the Anderson Center, works with Center staff in the development and execution of the program while ensuring full accessibility. She is the liaison between artists, program partners and the Center prior to and during residencies and provides on-going artistic/community support to the cohort throughout the month. Weitzel also provides hearing staff with cultural & sensitivity awareness training so as to raise everyone’s level of comfort and effectiveness. A DAR Program Assistant also assists Weitzel and Anderson Center staff in support the cohort of artists.

Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View mansion. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials.  Other workspaces on site include a dark room and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press) for printmakers. Practice / studio space is also available for performing artists.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including visual artists harvesting plant materials to create site-specific natural inks and choreographers doing movement work in the sculpture garden.


PROGRAM DETAILS
Each artist-in-residence receives:

    · $1,400/month artist stipend
    · Travel honorarium (Reimbursement up to $600)

Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There is also a housekeeper who cleans and maintains the historic facilities.


COMMUNITY ENGAGEMENT
The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

The Deaf Artists Residency includes outreach and community service opportunities with several Deaf organizations within the State of Minnesota such Minnesota State Academy of the Deaf, Metro Deaf School, MN Deaf Seniors, Deaf Women United of MN, MN Deaf Queers, Deaf Equity and similar groups. 

The 2024 program will move beyond a local, in-person event as the capstone and towards sharing information about each artist’s work nationally through video. Video production work will take place toward the end of the residency period. Editing, post-production and artist approvals are scheduled for July and August with the videos premiering online in September 2024.
 

ORGANIZATION MISSION & VALUES
The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.

The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to be led by administrative staff with hands-on experience in the creative process. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.

The Deaf Artists Residency Program provides five Deaf Artists with time & space to complete or create new works of art. More importantly, it brings together ASL signers to share and explore what it means to be a Deaf Artist in a hearing-centric culture that marginalizes and tacitly ignores Deaf Artists. DAR is unique because it allows Deaf Artists to connect in ASL, learning about each other’s disciplines and networks. The program works to establish a network of peers that contributes to a larger artistic dialogue.

The Deaf Artist community has been an outlier within the greater American artist community despite having a rich, sophisticated, and complex history. This lack of acknowledgement has parallels to other marginalized communities in the United States. The Deaf Artist Residency at the Anderson Center, however, has provided a platform for developing a strong and unified voice for Deaf artists to have a platform at national arts and cultural dialogues. 

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

The Anderson Center’s goal is for connections participating artists make with one another, as well as connections made with other creatives and community members, to outlast the duration of their residency visit. The organization believes that the environment and resources of Tower View, along with an exchange of ideas across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work artists create while in residence.
 

VACCINATION POLICY

Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed. 

Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best to use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collectively make changes where appropriate and ultimately build the artist community they'd like to see.  

At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2024 season, the organization requires all participating artists to provide proof of up-to-date COVID-19 vaccination prior to arrival. 

Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that risk and that you are also up-to-date on your COVID vaccinations (or will be prior to arrival).


SELECTION TIMELINE
    January 9, 2024 (12:00 p.m. noon CST) – application deadline
    March 5, 2024 – Final notification to selected artists, wait-list and runners-up on or before this date.


SELECTION CRITERIA Selection criteria include (in order of importance):
    1) Artistic excellence as demonstrated by work samples, resume and artist statement
    2) Potential benefit and impact on career as demonstrated by work plan
    3) Balance of artistic disciplines, identity, geography, etc within selected cohort


RECOMMENDED READING / VIEWING

• Five Deaf artists share a house in Red Wing in a unique Minnesota Residency - Jenna Ross, Star Tribune, July 9, 2021
• Deaf Artists Residency in Red Wing, Minnesota — The Daily Moth, news segment & interviews, July 19, 2021

TESTIMONIALS
“I didn’t know artistic fulfillment and community like this was possible.” — Ross Showalter, 2022

“In essence, the (temporary) Deaf space with six Deaf artists, the time and space to write in a beautiful place, the respect and admiration for our work, and the expectation that we use our time to work on our projects were of most value to me.” — Rachel Mazique, 2014

 "There’s nothing like it anywhere else, and I witnessed how enriching it was for everyone, including myself. The results of this easy communication was amazing." — Cristina Hartmann, 2021

"It is quite extraordinary how [our] shared understanding and experiences about communication form a deep, natural bond...we don’t often get this kind of immersed creative and critical time together.” — Brenda Brueggemann, 2018
 

EQUAL OPPORTUNITY
The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.
 

Anderson Center’s Early Career Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of emerging artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.

Anderson Center’s Early Career Artist Residency is an ideal fit for early-career artists in need of focused time and dedicated space in an inspiring residency work environment that empowers them take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Thanks to generous support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.

Anderson Center is an artist community founded in 1995 on the Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting in rural Red Wing, MN (approximately 1-hour outside the Twin Cities metro).

The Anderson Center’s Early Career Artist Residency is geared toward generative art making, as well as exchange across an interdisciplinary cohort. The program is well suited for vocational early-career artists in pursuit of time, space, and resources to truly commit to a project and explore new creative territories. Critiques, studio visits, and formal professional development are not offered.

The Anderson Center seeks to support emerging writers and artists with an uncompromising drive to create new work at Tower View in August 2024 that demonstrates significant potential for cultural and community impact, is technically accomplished, and engages diverse communities. The organization also believes that the environment and resources of Tower View, along with an exchange of ideas between artists working across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.

TO APPLY
The application deadline for the Anderson Center's 2024 Early Career Artist Residency Program is Tuesday, January 9, 2024 at 12 p.m. Noon, Central Standard Time. Applications must be submitted on or before the deadline in order to be considered in the jury review period. There is no fee for applying to this residency program.

Jury review will take place in late January and early February. Applicants will be notified by Feb. 2 as to the status of their application. A phone interview process with finalists will take place in late February following a second round of jury review. Selected artist residents, wait-list and runners-up will be notified by March 5, 2024.


ABOUT ANDERSON CENTER
Anderson Center nurtures a vibrant artist community based at Tower View, an expansive Historic Site and natural area in Red Wing, Minnesota. Founded in 1995, the Anderson Center has renovated and restored Tower View's historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden. 

Anderson's signature Artist Residency Program, together with the Studio Artist Program, forms the core of the organization's artistic community. The Residency Program provides artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment with dedicated time and space to create, advance, or complete new work. In addition to community engagement activities through the artist residency program, the organization's additional outreach programs create connections and integrate the arts into community life through local partnerships, hosting annual arts events, and participating in other community-based initiatives.


ABOUT JEROME FOUNDATION
The Jerome Foundation, founded in 1964 by artist and philanthropist Jerome Hill (1905-1972), honors his legacy through multi-year grants to support the creation, development, and presentation of new works by early career artists. The Foundation makes grants to vocational early career artists, and those nonprofit arts organizations that serve them, in all disciplines in the state of Minnesota and the five boroughs of New York City. The Jerome Foundation is generously providing support for the Anderson Center’s Emerging Artist Residency Program in August of 2024.

LOCATION

Anderson Center is located on the 350-acre historic Tower View campus, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing. The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.

The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River. The town is settled on the traditional and sacred land of the Bdewakantunwan & Wahpekute bands of the Eastern Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Bdewakantunwan Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”

Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.

Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library.

Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Rise Up Red Wing, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Network, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, Evening Start Quilt Guild, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Area Girl Scouts, Red Wing Public Schools, Tower View Alternative High School, and Universal Music Center, as well as several City boards, commissions, and departments (such as the Human Rights Commission and the Arts & Culture Commission).    
 

DEFINITION OF “EARLY CAREER”
While Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, its Early Career Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.

Anderson Center’s goal is to support artists early in their careers who create work that is and/or has the potential to be:

• Compelling—offering distinctive vision and authentic voice;
• Deeply considered, imaginative, and executed with attention to craft and with technical proficiency, providing artistic experiences that communicate unique perspective/s, and invite viewers to question, discover, explore new ideas in new ways;
• Innovative and risk-taking—engaging, questioning, challenging or re-imagining conventional artistic forms.

Anderson Center defines an early career artist as someone in the early stages of their creative development with 2-10 years of generative experience, and:

• have a focused direction and goals, even while still developing their artistic “voice”
• have yet to be substantially celebrated within their field, the media, funding circles or the public at large
• are vocational (as opposed to avocational, academic, amateur or educational) artists

Artists who have been in the field for longer than 10 years (excluding any time in a degree-granting program; as a dancer in work created by others; remounting the work of other choreographers; or time away from working as an artist due to circumstances–e.g., having children, caring for family members, long-term illness, etc.) are generally not eligible, even if they feel under-recognized. Age is not a factor in determining emerging artist status.


ELIGIBILITY GUIDELINES
 The four primary eligibility guidelines for Anderson Center’s Early Career Artist Residency are:

1. Legal residency in the State of Minnesota or one of the five boroughs of New York City.
2. Not enrolled in any degree-granting program from time of application through residency period.
3. Self-identification as an “early career artist” with 2-10 years of generative experience in the field
4. An artistic practice centered in generating and creating entirely new work.

Minnesota or New York City artists - Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Artist did (or will) file US federal taxes as a resident of Minnesota or New York City. Account address in Submittable must be within MN or NYC. Selected artists will be required to provide proof of Minnesota or New York City residency before a residency is formally offered. Artists must have a US Social Security Number or US Tax ID.

No students - Students enrolled in any degree-granting program from the time of application through the residency period are not eligible to apply for an Early Career Artist Residency at the Anderson Center (this includes any and all K-12, technical school, college, graduate, postgraduate, ABD studies). There are no exceptions to this eligibility criterion. If an artist is pursuing a degree-granting program in some form, they are not eligible. Please do not contact Anderson Center staff regarding technical situations or special edge cases around student status. This program supports vocational artists, not students. No matter the specifics or details, if an artist can be considered a student of a degree-granting program in any way, they are simply not eligible.

“Early Career Artist” Status – Eligible artists self-identify as an “early career artist” and are in the early stages of their creative development with 2-10 years of generative experience. The Anderson Center’s goal is to serve a spectrum of artists typically in their 2nd to 10th year of creative practice, post-student status (if applicable). This spectrum is framed by artists with some track record of creating and presenting full work (not beginning artists), and artists who are NOT at a point in their careers where they receive consistent development and production opportunities and significant recognition, awards, and acclaim (not mid-career or established artists).

Artists who have been in the field for longer than 10 years (excluding any time in a degree-granting program; as a dancer in work created by others; remounting the work of other choreographers; or time away from working as an artist due to circumstances–e.g., having children, caring for family members, long-term illness, etc.) are generally not eligible, even if they feel under-recognized.

Age is not a determining factor. Career stage is assessed by the cumulative number of years an artist has been generating their own work. Mid-career or established artists shifting from one artistic discipline to another will not be considered early career. For example, a composer with a substantial career in music who is now moving into film will not be considered early career.

Anderson Center has defined the 2–10 year span recognizing that some artists may experience enormous success and move past early career status well before their 5th year or 10th year. The organization recognizes that the number of opportunities afforded to artists may differ significantly based on discipline, race/ethnicity, class, gender, physical ability, and geography among other factors. Consequently, some artists may be past their 10th year and still be on the spectrum of early career status due to taking time out of active artistic practice for school or other circumstances. The Anderson Center understands that the lack of an absolute or rigid definition leaves room for interpretation but embraces this flexibility out of our value around diversity and in recognition of the many variables that impact artists’ careers.

New Work – Eligible artists are generating and creating entirely new work (rather than interpreting, translating, arranging, copying, remounting pre-existing work or the work of others). Generative artists are those who conceive and create new original work (e.g., choreographers, composers, playwrights and devisers, filmmakers, writers, visual artists, etc.). This program does not support artists who solely perform or develop/produce the work of others (e.g., dancers, musicians, actors, editors, journalists, etc.).

Collaboratives - Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive, and space is simply limited. Each artist must also complete their own application form. Obviously, each application will repeat things and have much overlap. That is OK. In the work plan for in each application, highlight that artist's contribution / skills, while making clear the collaborative nature of the project.

Notes - Artists of all disciplines are eligible and are encouraged to apply. Applications must be submitted through the Anderson Center’s online webform via Submittable.

Please direct any questions regarding early career artist status and eligibility requirements directly to Anderson Center at Tower View staff at 651-388-2009 or info@andersoncenter.org.

APPLICATION
A completed application form includes a brief artist statement, a work plan, an early career statement, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time.

If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.
 

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your past and current work.
 

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.
 

The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.
 

An Early Career Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an early career artist? In what ways would this program meet your needs as an early career artist? Why is this residency important to this stage of your career path? How do you identify as an early career artist? 

Community Engagement Statement is a chance for you to address, in 200 words or less, any interests, goals, or connections that may help staff in developing your engagement activity with community members in Red Wing. What sort of mutually beneficial exchange would both advance your practice and be meaningful for local participants? We are not asking for any concrete plans here, just some general ideas for us to consider.


Work Samples should be of recent work and should include:
 · For composers and musicians: 3 recordings
 · For visual artists: At least 5 images of work (300 dpi or larger)
 · For nonfiction and fiction writers: 10 pages of double-spaced prose
 · For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)
 · For poets: 10 pages of poetry
 · For translators: 10 pages of translation and original text
 · For performance artists: 3 short video excerpts of performances (no videos longer than 5 minutes)
 · For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
 · For Scholars: 10 pages of work, including research abstracts and relevant diagrams

If you are an interdisciplinary or multi-disciplinary artist, you may "split the difference" on the work sample guidelines above at your own discretion. For example, including 5 pages of writing and 3 images, etc. 

Likewise you may also choose to simply submit a PDF or Word Doc with hyperlinks to work samples that meet the guidelines outlined above.

Regarding work samples, please put yourself in the shoes of a jury panel member. Make it easy for them to review your best work first. Yes, give the jury various ways to go deeper or experience more if they are motivated but focus first on presenting only your strongest work samples in the most compelling way possible. Please contact staff if you have questions about work samples, but reflecting on the jury and the many applications they have to review & score can serve as a helpful guide in deciding what to include, how much to share, how long it can be, and how to present it.

DURATION OF RESIDENCY
The Anderson Center’s Early Career Artist Residency Program is a 4-week residency-fellowship the month of August 2024. Selected artists must commit to arriving on August 2 and departing on August 30. August is the only month the program takes place.


PROGRAM DETAILS
Each artist-in-residence receives:

  · $625/week artist stipend
 · Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)
 · $450 documentation budget (services for photography, video, audio, etc.)

Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There are also housekeepers who clean and maintain the historic facilities.


ACCOMMODATIONS
Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials.  Other workspaces on site include a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press) for printmakers with demonstrated experience. Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

COMMUNITY ENGAGEMENT
The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with schools in five area communities (ranging from elementary through college), senior centers, correctional or detention facilities, community organizations serving children and families, and community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.


PROGRAM MISSION & VALUES
The mission of Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.

The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to function by those with hands-on experience in the creative process. The organization seeks out feedback from residents each month in order to implement necessary changes as it works toward continual improvement of the program. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes or arrange regular structured activities. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.

Since 2014 the Anderson Center has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artists Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.

The Center also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Center participates in annual scholarship programs with the MFA programs at The University of Minnesota and Pacific Lutheran University in Washington. New in 2024 is an exchange program in partnership with the Iraqi-American Reconciliation Project.  

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

VACCINATION POLICY
Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed. Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best to use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collectively make changes where appropriate and ultimately build the artist community they'd like to see.

At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2024 season, the organization requires all participating artists to provide proof of up-to-date COVID-19 vaccination prior to arrival.

Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that risk and that you are also up-to-date on your COVID vaccinations (or will be prior to arrival).


SELECTION TIMELINE
 January 9, 2024 (12:00 p.m. Noon CST) – application deadline
 February 2, 2024 – Jury has selected Round 2 applications. All artists are notified of the status of their application.
 February 27, 2024 – Jury has determined finalists. Phone interviews with finalists begin.  
 March 5, 2024 – Final notification to selected artists, wait-list and runners-up


SELECTION CRITERIA Selection criteria include (in order of importance):
 1) Artistic excellence as demonstrated by work samples, resume and artist statement
 2) Potential benefit and impact on career as demonstrated by work plan and early career statement
 3) Balance of artistic disciplines, identity, geography, etc within selected cohort

EQUAL OPPORTUNITY
The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.


TESTIMONIALS
"My goal during the residency was to fully flesh out one of the characters in my story and I was able to reach that goal. I am truly grateful to The Anderson Center for providing me the time and space to devote to my manuscript. I am leaps and bounds ahead of where I would be had I not been granted the opportunity to travel to Red Wing. I was also able to create a new workshop, which I can take with me back to New York and use for future presentations." – Camille Wanliss, 2022

"The privilege of time and space this residency provided me has helped the realization of conceptual and technical milestones in my work that were made possible by the amazing people and printmaking facilities on-site. The community facilitated through this program is unlike anything I've experienced [in] past residencies. The diverse group of Jerome residents nurtured and engendered growth, love, and instilled a sense of community that'll live long past August." - Jonathan Herrera, 2018

“I made decisions on a lot of my work that I only could’ve done simply because I had time to think and tinker. [This experience] surpassed my expectation.” – Glendaliz Camacho, 2016