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The Anderson Center’s Jerome Emerging Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of early-career artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.

The program aims to meet the specific needs of emerging artists while welcoming them into a supportive and inspiring residency environment that empowers them to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Thanks to support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, facilitation of community connections, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.

Located at the historic Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting, the program is an ideal fit for early-career artists whose work reveals a significant potential for cultural and community impact, is technically accomplished, engages diverse communities.

The Anderson Center’s goal is for connections participating artists make with one another, as well as connections made with other creatives and community members, to outlast the duration of their residency visit. The organization believes that the environment and resources of Tower View, along with an exchange of ideas across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.

The application deadline for the Anderson Center's 2022 Jerome Emerging Artist Residency Program is Saturday, January 15, 2022 at 11:59 p.m. CST. Applications must be submitted on or before the deadline in order to be considered in the jury review period. There is no fee for applying to this residency program.

Jury review will take place in late January and early February. Applicants will be notified by Feb. 3 as to the status of their application. A phone interview process with finalists will take place in late February following a second round of jury review. Selected artist residents, wait-list and runners-up will be notified by March 2, 2022.


The Anderson Center for Interdisciplinary Studies, founded in 1995 on the Tower View estate in rural Red Wing, Minn., has renovated and restored historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.

The Anderson Center provides residencies of two- or four-weeks’ duration from May through October each year to enable artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment to create, advance, or complete work. In addition to community engagement activities through the artist residency program, the organization has a strong history of helping integrate the arts into community life through local partnerships, hosting annual arts events and participating in other community-based initiatives.


The Jerome Foundation, created by artist and philanthropist Jerome Hill (1905-1972), seeks to contribute to a dynamic and evolving culture by supporting the creation, development, and production of new works by emerging artists. The Foundation makes grants to not-for-profit arts organizations and artists in Minnesota and New York City. The Jerome Foundation is generously providing support for the Anderson Center’s Jerome Emerging Artist Residency Program in August of 2022.


The Anderson Center campus is located on the 350-acre historic Tower View Estate, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.

The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.

The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River. The town is settled on the ancestral homelands of the Mdewakanton & Wapakute bands of the Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Mdewakanton Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”

Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.

Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library (the Center has arranged for residents to have access to a library card for their month at the Center)

Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Red Wing Youth Outreach, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Art History Club, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Girl Scouts, Red Wing Public Schools, Tower View Alternative School, and Universal Music Center, as well as several City boards, commissions, and departments.

ELIGIBILITY AND DEFINITION OF “EMERGING ARTIST” While the Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, the Jerome Emerging Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.

The Anderson Center defines an emerging artist as someone who has some evidence of professional achievement but has not yet a substantial record of accomplishment. These are the applicants who are practicing vocational artists but are not yet recognized as "established" by the artistic community (other artists, curators, producers, critics, and arts administrators).

The organization looks for artists whose work reveals a significant potential for cultural and community impact. These are artists who are uncompromising in their approach to creation and production, people who are not afraid to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Degree-seeking students at the time of application, or during the grant period, are not eligible for a residency (including K-12, college, graduate or post graduate studies). Age is not a factor in determining emerging artist status.

Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive and space is simply limited. Each artist must also complete their own application form.

Artists of all disciplines are eligible and are encouraged to apply. Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Applications must be submitted through the Anderson Center’s online webform via Submittable. The primary goal of eligible artists must be to generate new works, as opposed to remounting or re-interpreting existing works.

Further details from the Jerome Foundation on emerging artist eligibility requirements can be found here: https://www.jeromefdn.org/defining-early-career-emerging-artists

A completed application form includes a brief artist statement, a work plan, an emerging artist statement, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

An Emerging Artist Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an emerging artist? In what ways would this program meet your needs as an emerging artist? Why is this residency important to this stage of your career path? How do you identify as an emerging artist? 

Work Samples should be of recent work and should include:

· For composers and musicians: 3 to 5 recordings
· For visual artists: At least 5 images of work (300 dpi or larger)
· For nonfiction and fiction writers: 10 pages of double-spaced prose
· For playwrights & screenwriters: 20-page excerpt (does not need to be from the beginning)
· For poets: 10 pages of poetry
· For translators: 10 pages of translation and original text
· For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)
· For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
· For Scholars: 10 pages of work, including research abstracts and relevant diagrams


The Anderson Center’s Jerome Emerging Artist Residency Program offers residency-fellowships of two weeks or one month in August. Strong preference is given to those applying for month-long stays. August is the only month the Jerome Emerging Artist Residency Program takes place.


Each artist-in-residence receives:

· $625/week artist stipend

· Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)

· $450 documentation budget (services for photography, video, audio, etc.)

Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends.

There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.

Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials.  Other workspaces on site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano. 

Dinners are prepared and presented by Anderson Center chef Phoebe Nyen Monday through Friday. Chef Phoebe also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

During the pandemic, community engagement activities have safely and creatively continued in small group, outdoor, online or distance settings. Examples from the later half of 2020 include a writing exercise letter exchange with residents of a correctional facility, a poetry walk along a park trail, an outdoor natural dye workshop, a distanced reading/discussion with students of Tower View Alternative High School, and various public & private online interviews/discussions with community stakeholders. A majority of the 2021 engagement activities took place in-person, either outdoors or in a small group setting indoors.

The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.

The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to function by those with hands-on experience in the creative process. The organization seeks out feedback from residents each month in order to implement necessary changes as it works toward continual improvement of the program. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.

Since 2014 the Anderson Center has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artist  Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.

The Center also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Center participates in annual scholarship programs with the MFA  programs at The University of Minnesota and Pacific Lutheran University in Washington.

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed.

Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collective make changes where appropriate and ultimately build the artist community they'd like to see. 

At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2022 season, the organization requires all participating artists to provide proof of full COVID-19 vaccination prior to arrival.

Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that amount of risk and that you are also fully vaccinated (or will be prior to arrival).

January 15, 2022 (11:59 p.m. CST) – application deadline
February 3, 2022 – Jury has selected Round 2 applications. All artists are notified of the status of their application  
February 21, 2022 – Jury has determined finalists. Phone interviews with finalists begin.  
March 2, 2022 – Final notification to selected artists, wait-list and runners-up

SELECTION CRITERIA Selection criteria include (in order of importance):
1) Artistic excellence as demonstrated by work samples, resume and artist statement
2) Potential benefit and impact on career as demonstrated by work plan and emerging artist statement
3) Balance of artistic disciplines, identity, geography, etc within selected cohort

The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.


"At the Anderson Center, I revised all the existing chapters of my previous written work and wrote two brand new chapters. I did more writing in a single month through the Anderson Center than I did in two years. To make it even more impressive, I did my word count and I wrote 39,050 words -- or 161 pgs. With the time that I was given at the Center, I was able to make revisions by hand and then retype what existing work I had during the day and then write new work at night. I felt no need to go social media, did not need to check in with friends or family but devoted myself completely to my work. I left the Center believing that I can and will finish my novel and understanding how important it is to make time to create to the very best of my ability. Thanks so much... for giving me that time and space. You have no idea how much it meant to me -- or still means to me." – Kimarlee Nguyen, 2018

"The privilege of time and space this residency provided me has helped the realization of conceptual and technical milestones in my work that were made possible by the amazing people and printmaking facilities on-site. The community facilitated through this program is unlike anything I've experienced [in] past residencies. The diverse group of Jerome residents nurtured and engendered growth, love, and instilled a sense of community that'll live long past August." - Jonathan Herrera, 2018

“I made decisions on a lot of my work that I only could’ve done simply because I had time to think and tinker. [This experience] surpassed my expectation.” – Glendaliz Camacho, 2016

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